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On entering this portal, lo, a miraculous vision! At the end of an avenue of dark cypress trees stands the tomb of Mumtaj-Mahal, a dream in marble, its whiteness, crowned by five cupolas that might be pearls, mirrored in a pool edged with pink stone and borders of flowers.At the end of the garden, in a little temple, is a statue of the holy man of the size of life, in his favourite attitude, sitting on his crossed legs. Round the image were the most absurd toysand a photograph of the German Emperor! As I was leaving, the fakir called me back, asked me to think of him sometimes, and gave me one of the splendid yellow roses that hung about him like a glory."And how many die every day?"
 
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TWO:The ugliest of these palaces is that of the Maharajah, with galleries of varnished wood, of which the windows overlooking the river are filled with gaudy stained glass. In the garden is a pagoda painted in crude colours crowned with a gilt cupola; the zenana has bright red walls striped with green, and in the grounds there is a cottage exactly copied from a villa in the suburbs of London.

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TWO:In the twilight of the great galleries the gods are assembled in groups, standing or sitting, rigid or contorted into epileptic attitudes, and thin bodies of human aspect end in legs or arms resembling serpents or huge fins, rather than natural limbs: Kali, the eight-armed goddess, leaping in the midst of daggers, performing a straddling dance while she holds up a tiny corpse on the point of the short sword she brandishes; impassible Sivas wearing a tall mitre; Krishna playing the flute to the thousand virgins who are in love with him, and who fade into perspective on the panel. And every divinity has eyes of jade, or of white plaster, hideously visible against the pale grey stone softly polished by time.At a goldsmith's I stood to watch a native making a silver box. He had no pattern, no design drawn on the surface, but he chased it with incredible confidence, and all his tools were shapeless iron pegs that looked like nails: first a circle round the box, and then letters and flowers outlined with a firm touch that bit into the metal. He had no bench, no shopnothing. He sat at work on the threshold of his stall, would pause to chat or to look at something, and then, still talking, went on with his business, finishing it quite simply at once without any retouching.
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FORE:In the town a zebu cow was trotting along with an air of business. To avoid a vehicle she jumped on to the footpath and went her way along the flagstones, and every Hindoo that she passed patted her buttock and then touched his forehead with the same hand with great reverence.

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FORE:And this morning I had seen in the place of Akbar or Jehangir, a sturdy, blowsy soldier, in his red coatee, his feet raised higher than his head, spread out in his wicker deck-chair, and reading the latest news just brought by the mail from Europe.

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FORE:And from every stone, and in the rifts in the rocks, hung stalactites, like glittering icicles, and these too were of salt.

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FORE:Making my way among the too numerous gods in relief against the overwrought walls heavy with carving, I came to a wonderful balcony where, in broken cages, I found the parrots that had betrayed me, and among them an exquisite pale yellow cockatoo of great rarity.

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FORE:The rock is girt with a belt of walls, and in the citadel, besides Mandir, with its outbuildings and tanks, there is a whole town of palaces and temples, which are being demolished little by little to make way for barracks.

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TWO:The ripe rice, in golden ears, is cut with sickles; a row of women in red gather it into sheaves, which men carry on their back, at once, to the next village, and there it is threshed out forthwith on floors but just swept.
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THREE:We were off by break of day. Among hanging creepers, shrubs, and trees, temples, gilded by the rising sun, gleamed dimly through the rosy mist, and faded gradually behind a veil of white dust raised by the flocks coming down from Roza, or melted into the dazzling blaze of light over the distance.
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THREE:Towards evening the sky turned to a dull, dark green, and in the sudden gloom down came the rain in floods, tremendous, solid, for about five minutes; then as suddenly it was as hot as ever again, dry and overpowering.This interminable piece, with twenty changes of scene, dragged its weary length till two in the morning. One by one the soldiers went away; even the baboos soon followed them, and only the coolies remained, enthusiastically applauding every scene, every harangue, in a frenzy of delight, before the final apotheosis of Tazulmulook and Bakaoli, as man and wife, lovingly united against a background of trees with golden boughs.
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TWO:In the sacred tank, where Vishnu bathes when[Pg 165] he comes on earth, an old woman was standing pouring the stagnant green water over her body, while others of the faithful, seated on the steps, were piously drinking the stuff from a coco-nut that they handed round. In one corner of this pool was an exquisite bower of floating wreathsyellow, white, and violeta splash of bright colour on the squalid water.Down the middle of the Ganges a white bundle is being borne, and on it a crow pecking the body of a child wrapped in its winding-sheet.
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Next came a long file of carts, conveying cases of goods "made in Manchester," or loaded, in unstable equilibrium, with dry yellow fodder like couch grass, eaten by the horses here; and they struggled along the road which, crossing the limitless plain, appeared to lead nowhere.
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